A group of young, ambitious candidates for a special police unit in Baden-Württemberg are driven to perform at their best. One of them is 23-year-old Rebecca Henselmann, who will soon be deployed in undercover operations. She works hard and is ambitious, just like her colleague Christoph Laurin, whom Rebecca is getting to know. The young policewoman is highly motivated in her operations against drug and arms trafficking. In the process, she encounters abuses of power and encounters right-wing extremist attitudes in the police force too.

Lera Valetskaya is a happy housewife who has completely devoted herself to her children and her beloved husband Victor, a police major. But what if she has to find out that her husband is not at all who he pretends to be? Illegal affairs and a double life - a young operative Gleb Smyslov helps Lera to see the true face of a loved one. A long-term marriage collapses overnight. Now they have to decide whether they are ready to remain a family and whether they will be able to stand together against the gangster group — friends from Victor's past life.

A live stand-up comedy and music gig to celebrate Amnesty International's 50th Anniversary.

A series of benefit shows staged initially in the United Kingdom to raise funds for the human rights organisation Amnesty International. The shows started in 1976 featuring popular British comedians but later included leading musicians and actors. The Secret Policeman's Ball shows are credited by many prominent entertainers with having galvanised them to become involved with Amnesty and other social and political causes in succeeding years.

文森特·加洛表示，之前透露出的《The Policeman》与已拍完的《Golden State Killer》是两个不同的项目，两部影片均由他自己与詹姆斯·弗兰科主演，但《The Policeman》由他自己导演。

After the criticisms of the 1987 show’s disproportionate focus on music - and the financial disaster of its music-only Festival Of Youth weekend concert in 1988, Amnesty returned to the original formula that had been so successful in the 1976-1981 era with a primary focus on comedy. Pat Duffy was dropped from organising any further benefit events for Amnesty and for the 1989 show, Amnesty hired producer Judith Holder.

The adventures of a skillful Belgrade policeman who proves to be equally successful as a caring father.

Following the success of the 1979 show and the financial benefits accruing to Amnesty from the spin-off movie, TV special and record albums – Cleese, Lewis and Walker planned the next show to be a more spectacular event. Cleese focused on broadening the comedic talent to be presented at the show. In addition to the Amnesty show stalwarts drawn from the Oxbridge/Monty Python/Beyond The Fringe orbit, he invited newcomers such as Rowan Atkinson’s colleagues from the BBC TV show Not the Nine O'Clock News including Pamela Stephenson and Griff Rhys Jones; comedian Victoria Wood and regional comic Jasper Carrott. Lewis secured a return appearance by Billy Connolly and a debut appearance by "alternative" comedian Alexei Sayle who Lewis had recently discovered and was managing. Building on the success of Pete Townshend's 1979 appearance Lewis recruited other rock musicians to perform at the 1981 show including Sting, Phil Collins, Eric Clapton, Jeff Beck, Donovan and Bob Geldof.

When the British Amnesty shows finally resumed in 1987 after a six-year hiatus, the show format was retooled in an effort to take advantage of the growing number of rock musicians supporting Amnesty. Instead of the live show being primarily a comedy show with a few musical cameos, the event made a point of giving equal emphasis to the comedy and the music.

The Secret Policeman benefit shows for Amnesty International brought together comedy grand masters - from Python and Beyond the Fringe - and performers then relatively unknown, like Rowan Atkinson. Narrated by Dawn French, the programme includes interviews with many of the comedians and musicians who took part: John Cleese, Stephen Fry, Michael Palin, Sting, Lenny Henry and many more. The shows and their stars had a huge effect on modern British comedy. There are few comics today whose careers have not been heavily influenced by the anarchic and surreal humour of these events.